Earlier this year, we reviewed Jared Saltiel’s phenomenal full-length, The Light Within. Last week, his brother Jason Saltiel released an equally brilliant EP, Wait Until The Night. Where Jared’s LP used a lens of ornate chamber-pop to explore fantastical lyrical adventures and americana blues, the other Saltiel focuses that same lens of ’60s lounge-pop and bossa nova. Part Bacharach, part Jens Lekman, Saltiel’s melodies soar in an elegant but fragile falsetto, his chords cleverly move in unusual ways, the arrangements (written by both Saltiel brothers) swell with strings, woodwinds, and various percussion instruments.
In addition to releasing four solo albums, Andrea Perry has made a career for herself in music publishing and composing for video games and commercials. This varied musical experience is evident in her smart, sophisticated pop music. Four, Perry’s most recent project, is a perfect example of this. As beautiful as her melodies and lyrics are, it is her immaculate arranging skills that stand out.
After we reviewed Oh! My Blackbird’s full length album, Dare Me, earlier this year, I was extremely excited to see that the NYC-based chamber-pop band had a new EP out.
Oh! My Blackbird is a NYC-based chamber folk trio led by singer/songwriter Annie Sullivan. Sullivan’s songs are quirky, personal, and consistently catchy. On Dare Me, the band collects 10 songs that blend lush and sophisticated instrumental and vocal arrangements with decidedly immature lyrical themes. Which is not to say that the lyrics are expertly crafted. Sullivan’s songs about young romance and heartbreak are honest and perceptive.